A note from Helen Pollard to Roger Blackmore
- AB-AB/21
- Item
- 03/10/1986
Part of Anna Bentley
A note from Helen Pollard, Housemistress of Round House, to Roger Blackmore giving permission to use Round House during a conference.
Helen Pollard
A note from Helen Pollard to Roger Blackmore
Part of Anna Bentley
A note from Helen Pollard, Housemistress of Round House, to Roger Blackmore giving permission to use Round House during a conference.
Helen Pollard
A memorandum from T.M. Reay to Graham Smallbone
Part of Anna Bentley
A memorandum from T.M. Reay. Bursar, to Graham Smallbone, Headmaster, regarding the the financial position concerning any catering in support of the Oakham Festival.
Tom Reay
Part of Anna Bentley
A confidential memorandum from T.M. Reay, Bursar, to Roger Blackmore and D.M.W. regarding the Chapel Choir CD.
Tom Reay
Part of Anna Bentley
A memorandum from T.M. Reay, Bursar, to John Lake, Appeal Director, regarding the Barber Archive Room in the new Information and Study Centre.
Tom Reay
A memo from Roger Blackmore to Graham Smallbone
Part of Anna Bentley
A memo from Roger Blackmore to Graham Smallbone enclosing a report on OSEL's activities, and estimated income and expenditure. Four pages A to D.
Roger Blackmore
Part of Anna Bentley
A memo from Roger Blackmore regarding accommodation for the National Youth Chamber Orchestra in August 1993.
Roger Blackmore
Part of Anna Bentley
A memo from Roger Blackmore to Jane [?] regarding the costs of photographs.
Roger Blackmore
Part of Anna Bentley
A memo (A) from John Lake, Appeal Director, regarding approaches to prospective major donors and enclosing a draft letter (B) to be sent out.
John Lake
A letter from Trevor Case to Alan Grieve
Part of Anna Bentley
A letter from Trevor Case, Bursar and Clerk to the Trustees, to Alan Grieve, Chairman of OSEL, regarding the deed of covenant between OSEL and the Trustees.
Trevor Case
A letter from Roger Blackmore to Trevor Ellis
Part of Anna Bentley
A letter from roger Blackmore to Trevor Ellis confirming the catering arrangements in the marquee after the performance on 24 June 1992.
Roger Blackmore