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A photograph of the restoration

BES-BES/1-BES/1/1-BES/1/1/1-BES/1/1/1/8-BES/1/1/1/8/2
Unidad documental simple
1994

Parte deBuildings and Estates

A photograph of the restoration of Old School in 1994.

N/D

A photograph of Old School

BES-BES/1-BES/1/1-BES/1/1/1-BES/1/1/1/10
Unidad documental simple
N/D

Parte deBuildings and Estates

A photograph in colour of Old School on a snowy day, probably in the 1970s.

N/D

A watercolour of Old School

BES-BES/1-BES/1/1-BES/1/1/2-BES/1/1/2/1
Unidad documental simple
21/07/1994

Parte deBuildings and Estates

A watercolour of the Shakespeare Centre in Cutts Close, by Corinna Pike, an Old Oakhamian, in July 1994.

Corinna Meggitt

A drawing of the Shakespeare Centre

BES-BES/1-BES/1/1-BES/1/1/2-BES/1/1/2/2
Unidad documental simple
N/D

Parte deBuildings and Estates

A drawing of the inside of the Shakespeare Centre, showing the stage and curtains.

N/D

Architecture

BES-BES/1-BES/1/1-BES/1/1/3
Unidad documental compuesta
1985 - 1993

Parte deBuildings and Estates

This file focusses on architects' reports regarding the refurbishment of Old School in the late 1980s-early 1990s.

Bond & Read

Murals win a reprieve

BES-BES/1-BES/1/1-BES/1/1/5-BES/1/1/5/1
Unidad documental simple
30/09/1993

Parte deBuildings and Estates

Newspaper cutting reporting on the debate concerning the frescoes in Old School and the decision to conceal them behind shutters to allow viewing.

N/D

Letters reveal Wilde's golden love

BES-BES/1-BES/1/1-BES/1/1/5-BES/1/1/5/2
Unidad documental simple
30/09/1993

Parte deBuildings and Estates

A newspaper cutting from The Independent reporting on letters revealing a previously unknown male love of Oscar Wilde, and on the debate concerning the frescoes in Old School. Hand-written note from Rod Smith to Graham Smallbone at the bottom of the article.

The Independent

A note from Graham Smallbone to George Kelsall