Showing 17 results
Archival description- BES-BES/1-BES/1/29-BES/1/29/1
- File
- 1986
Part of Buildings and Estates
A report on the development of Round House including architectural plans, notes, photographs and models.
Alan Oliver
- BES-BES/1-BES/1/3
- Sub-Series
- 1951 - 2009
Part of Buildings and Estates
Brian and Elizabeth Nicholls
- BES-BES/1-BES/1/29-BES/1/29/1-BES/1/29/1/1
- Item
- 1986
Part of Buildings and Estates
A watercolour painting of Round House by Alan Oliver.
Alan Oliver
- BES-BES/1-BES/1/1-BES/1/1/3-BES/1/1/3/4
- Item
- 06/1993
Part of Buildings and Estates
A report on the murals in Old School (Shakespeare Centre) from Bond & Read, Chartered Architects. Contents: Description and History; Appendix; Key Drawings. Seven pages A to G.
Bond & Read
A letter from Marion Hall to Nigel Webb
- BES-BES/1-BES/1/1-BES/1/1/4-BES/1/1/4/41
- Item
- 06/10/?
Part of Buildings and Estates
A letter (A) from Marion Hall to Nigel Webb, Second Master, thanking him for a visit to the School and enclosing a short piece (B-D) on Mary Sargant Florence. Four pages.
Marion Hall
- BES-BES/1-BES/1/1-BES/1/1/5
- File
- 1993-09 - 1993-11
Part of Buildings and Estates
This file focusses on various publication, mostly newspaper cuttings, related to the frescoes in Old School and the painter Mary Sargant Florence and post-medieval mural painting. This file is from the year 1993.
Alan Powers
- BES-BES/1-BES/1/1-BES/1/1/2-BES/1/1/2/1
- Item
- 21/07/1994
Part of Buildings and Estates
A watercolour of the Shakespeare Centre in Cutts Close, by Corinna Pike, an Old Oakhamian, in July 1994.
Corinna Meggitt
- BES-BES/1-BES/1/1-BES/1/1/4
- File
- 1985 - 1994
Part of Buildings and Estates
This file focusses on correspondence regarding the refurbishment of Old School in the late 1980s-early 1990s and the issue concerning the frescoes.
Oakham School
- BES-BES/1-BES/1/1-BES/1/1/5-BES/1/1/5/1
- Item
- 30/09/1993
Part of Buildings and Estates
Newspaper cutting reporting on the debate concerning the frescoes in Old School and the decision to conceal them behind shutters to allow viewing.
N/D